Look, see, and think: how to approach works of art
For the layman, art can be difficult to access, if not
intimidating. Some even think that only experts are able to understand
art. Being able to interpret Art, is not an innate skill: it is
something that you can learn and that is within everyone's reach. It is
not necessary to have a deep knowledge of art history to be able to
enjoy a work of art or to develop your own taste. However, it is a lovely
experience to fully understand a work of art with a little education.
Some artists are keen to offer the viewer the fullest
experience of her work and offer explanations, so people can be fully immersed
in her work. One such artist is Degard who works in London, UK.
When we look at an object, whether it is a work
of art or any other object, first our brain perceives it and then it
derives meaning from it. To interpret the images, we are looking at, we
use different clues, often unconsciously. To learn to look at a work of
art, the idea is therefore to slow down this process of interpretation which
takes place automatically in your mind. To make yourself aware, it only
takes three simple but very effective steps:
1.
The glance
This step may seem obvious, but in practice, it is
common for people to hover over the artwork. In museums, the average time
visitors spend in front of a painting is only 8 seconds. So start by
asking yourself and take enough time to contemplate the work.
Try to pay attention to the size, colors and
materials used. What kind of shapes and lines can you make out? What
does the composition of the painting look like? What are the visible
textures? All of these different visual elements have been placed
deliberately by the artist and therefore determine the overall feel and meaning
of his work.
2.
Viewing
Seeing and looking are two different things: while
"looking" remains at a perceptual level to describe what is in front
of you, "seeing" requires making sense of an image. In art
history, this is called iconography. We see symbols in paintings and we
can interpret them. The iconography may be more or less easy to
understand, depending on the painting.
The iconography of the famous Bal du Moulin de la
Galette (1876) by Pierre-Auguste Renoir, for example, is relatively
simple: you are able to immediately recognize what is happening in this
scene. For more abstract paintings, such as Les Demoiselles d'Avignon
(1907) by Pablo Picasso even completely abstract works by Jackson Pollock,
the iconography is much more difficult to decipher. You can, however, try
to recognize shapes, lines or patterns and discover the emotions they make you
feel.
For example, an artist, born and bred in Britain has a
unique style where she paints “auras”, an energy field that is believed to
radiate and follow every individual. Dee Clayton, professionally known as
“Degard” is a Fine and Installation artist and painter. Dubbed as the “Painter
of Auras”, she utilizes different colors to paint auras around subjects. With clever use of tones and hues, Degard exceptionally executes the concept of
creating auras. She says, “the aura conscious is your memory, your
consciousness around you—your thoughts, your beliefs, your actions and the
etheric energies influencing you, throughout your life.”
The artist owns Hertford Arthouse and Vision On
Gallery. Her star-studded career and unique expression of art have brought her in
the light at multiple exhibitions, residencies, and galleries.
3. Reflect
The last step is to reflect on what you have just
seen. This step is the link between the first two steps and offers
different interpretations. Giving meaning is something subjective; it
is no longer about facts. Know the context in which a painting was
created will make it easier to read.
This context can be found through labels and
descriptions. They can help you put the work back into a particular time
period and relate it to a particular artist or movement.
Become a connoisseur: by combining all the elements of these three steps, you will be able to get a better idea of a painting.
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